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Voice Clip Song

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Editing voice clips of someone famous into a full song (original or cover).

A common trait of Fanvids: it was not uncommon during the Turn of the Millennium to see a clip of a popular film or series remixed over a techno beat. In The New '10s, this was superseded by the trends of YTPMVnote  and 音MAD (oto MAD)note  videos, which tend more towards covering chiptune and Game Music. A staple of these videos (especially for YTPMV) is to chop up voice clips into syllables and phonemes and turn them into instruments; in this sense, they can be compared to Everything Is an Instrument.

See also Sampling. Compare Recorded Spliced Conversation, which is when a fictional character edits voice clips without music to trick someone.


Examples:

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    Advertising 
  • The advertisement for Freeform's "25 Days of Christmas Song" was redone as of 2022 to largely consist of various voice clips from the movies aired on that channel during the Christmas season spliced together to form the lyrics.
  • DJ Steve Porter's "Life Alert Remix", which also mixes in clips of Wilford Brimley's diabetes PSAs and Hoveround adverts.

    Fan Works 

    Films — Live-Action 
  • Baby Driver: The main character likes to record snippets from conversations and remix them into songs. This causes him some problems later in the movie, considering how he's involved in crime: his cohorts catch him in the act of recording them and immediately jump to the logical conclusion that he's wearing a wire for the police, though he manages to defuse this by playing one of his songs to prove that he does remix them.
  • Jurassic Park (1993): keatonkeaton999 would like to let you know that we've got Dodgson here!
  • Mortal Kombat (1995): The Immortals' "Techno Syndrome" is an Orchestra Hit Techno Battle remix of voice and sound effect clips from the 1992 video game, along with the Title Scream sampled from an advertisement. "Theme From Mortal Kombat (Encounter The Ultimate)" from Mortal Kombat: Annihilation does likewise with Mortal Kombat 3 clips.
  • Planes, Trains and Automobiles: The song "I Can Take Anything" remixes dialogue from Steve Martin and John Candy's characters.
    "You're messing with the wrong guy!"
  • Paul Hardcastle: One early example would be his 1985 single "19". There are some professional backing vocalists singing a few lines, but the vocals are mainly clips from a documentary about The Vietnam War.
  • The refrain of 2 Live Crew's "Me So Horny" combines the Vietnamese prostitute's lines from Full Metal Jacket with orgasmic voice clips from the Richard Pryor film Which Way Is Up?.
  • Project Pitchfork's "The Swamp of Secrecy" is built on voice clips from UFO documentaries.
  • Skinny Puppy's "Sleeping Beast" has a bridge section remixing Dr. Helen Caldicott's "There will be millions of corpses" speech from the nuclear war documentary If You Love This Planet.

    Live-Action TV 

    Music 
  • My Life in the Bush of Ghosts: A possible Ur-Example of the trope appears in the form of Brian Eno and David Byrne's album, which set sampled audio of radio DJs, preachers, politicians, and religious singers to avant-funk instrumentals. Unlike later examples, these clips aren't edited to fit certain melodies, but it still sets a precedent long before it became an identifiable trope.
  • The arguable forerunner to the modern Voice Clip Song is The Firm's 1987 hit Star Trekkin'. It didn't actually use clips from Star Trek itself, instead having the band members sing each character's trademark phrase (even if some of them were, ironically, examples of Beam Me Up, Scotty!) along with the music.
  • The most epic and heartwarming example of this is "Kidung Abadi" (Eternal Ballad); it was created by Erwin Gutawa for a concert honoring the 5th anniversary of the death of legendary Indonesian singer Chrisye (Gutawa had collaborated with him before, but never got to write a song for him). Erwin had his sister Gita write the lyrics, and then worked with a team to splice them together using vocals from Chrisye's master tracks. For the live performance, Jay Subiyakto also spliced together concert footage of the singer himself (to make him "sing" the new song) as a finishing touch. The result was three months definitely well spent.
  • Kevin Moore's 'Memory Hole 1' is mostly based on this. Voices used range from US Presidents to more obscure advertisements. He also uses it frequently in other projects, such as OSI or Chroma Key.
  • Cloud Cult's "The Princess Bride" is a song entirely based around clips of the movie of the same name. There's also "State Of The Union", which is based around quote mining of George W. Bush.
  • Toby Fox created The Nic Cage Song.
  • "Rocked by Rape," the Evolution Control Committee's remix of Dan Rather, set to a heavily edited version of AC/DC's "Back in Black".
  • Bush seems to be a popular choice, Jonathan Coulton's "W's Duty" makes use of clips to make fun of the way W. pronounces the word "duty".
  • "Deify" by Disturbed starts with clips of one pro-Bush source, one comment on a repressive government, then clips of Bush himself from his 9/11 speech.
  • Most of Negativland's output falls under this category.
    • If you've ever played Kingdom of Loathing and wondered why using or buying eleven of an item gets you the message "That's ridiculous. It's not even funny", it's from the Negativland song "Time Zones". In turn, that was remixed by Negativland sound collage master Don Joyce from a talk radio show clip discussing the Soviet Union (which apparently had — and Russia still has — eleven time zones). Eleven.
  • A YouTube user created a video of a double rainbow that slowly became memetic due to his over-the-top enthusiasm over his discovery. Of course remixes followed, including one courtesy of The Gregory Brothers and a different but also auto-tuned mix.
  • Andrew Huang's "Do You Like The Smell Of Adventure?", a remix of an Old Spice commercial.
  • Welcome to Paradise by Front 242 mixes voice clips from various televangelists.
  • "Frontier Psychiatrist" by The Avalanches - there's a lot of samples from various records and movies, but one of the most prominent is the Wayne and Shuster sketch of the same title.
  • Art of Noise: "Instruments of Darkness" revolves around editing clips from speeches by pro-apartheid South African politicians and setting them to foreboding music, acting as a nonverbal means of protesting The Apartheid Era.
  • Disclosure: "When a Fire Starts to Burn" is built around a sample from motivational speaker Eric Thomas.
  • Shake Chain's "Mike" is based on a viral video in which a gate attendant acts as though a clearly stationary car is in danger of running her down, apparently in an attempt to fabricate a 911 call and get the car's occupant arrested. Rather than sampling the video directly, vocalist Kate Mahony imitates the woman's anguished shrieks of "Mike!" and "He's running me over!".
  • "Stylophonia" by Two Little Boys remixes voice clips from Rolf Harris's Stylophone demo records and his recording of the folk song "Two Little Boys"(hence the group name) to a stadium techno instrumentation.
  • Vicetone's "Hope" samples Barack Obama's 2012 inauguration speech.
  • Bakermat's "Vandaag" samples Martin Luther King Jr.'s famous speech "I have a dream".
  • Steampianist's "The Great Trump Wall" is based on a 2016 speech by Donald Trump about the border wall.

    Video Games 
  • An In-Universe example from Borderlands: The Pre-Sequel!, in which Handsome Jack takes the deceased Merriff's final ECHO log, in which he despairs over the fact that the Big Bad extorted him into betraying his allies, to a pair of familiar-looking DJs, who turn it into this trope: "I'm the biggest arse on the moon!".
  • Command & Conquer: This was part of Frank Klepacki's Signature Style when he composed music for the franchise and it was especially prevalent in the CD soundtrack to Command & Conquer: Tiberian Dawn, the in-game tracks omitted most of the voice clips so they didn't distract the player or drown out EVA's announcements. "Got a Present for Ya!" from Renegade brings this full circle by using voice clips from... Himself, as he voiced the Commando in Tiberian Dawn and he would record new samples for the Tiberian Sons version played at Super MAGFest 2019 which was re-recorded for the Remastered Collection.
  • Deltarune: A good majority of Spamton G. Spamton's themes are like this, mostly consisting of the singular phrase "NOW'S YOUR CHANCE TO BE A BIG SHOT!", the character's signature catchphrase, repeated in various glitched-out ways. Special mention goes to "BIG SHOT", which incorporates even more lyrics if you're keen enough to hear them.
  • Halo 2's OST has the voice clip techno remix "Never Surrender" by Nile Rodgers & Nataraj.
  • Hitman: Blood Money: In the tutorial mission; "Death of a Showdown", the room with the two card playing gangsters has a boombox playing a song which is quite literally comprised of quotes from the level over a trap beat.
  • Need for Speed: Eiarly entries with in-house composers were also fond of this, particularly in High Stakes and Porsche Unleashed with songs like "I Am Electro" by The Funk Lab, which uses the voice of Elektro the Robot, or "The Cost of Freedom" by The Experiment (also featured in MotorStorm) which samples John F. Kennedy's "The cost of freedom is always high!".
  • PAYDAY 2: One song released for the game on April Fools 2015 made by one of the games' composers, Carl Noren, was "Donacdum", a Memetic Mutation of Houston's infamous "Don't act dumb," line. It also features a few of the other heister lines too ("On the goddamn ground", "Get the fuck up!" and "Fuck!" by Chains, Bains' "Whoa!" from Rats, Clovers's "Hey you, get on your feet!", and Hoxtons' "Don't answer back, you twat!" and "Okay" lines), but "Don't act dumb" accompanies the majority of the song.

    Web Animation 

    Webcomics 

    Web Videos 

    Western Animation 

 
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The Secret Show

Aliens within a mechanical spider make a rap track with a few of the names used by Changed Daily from past episodes.

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