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A.I. Is a Crapshoot

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A.I. Is a Crapshoot (trope)
"Wheel of Morality, turn turn turn, tell me the protocol that I should learn... huh, Kill All Humans? Okie dokie, then!"
"How could giving the closet artificial intelligence, absolute control over the Dreamhouse, and a surly personality backfire?"

Whenever an Artificial Intelligence (A.I.) is introduced in a story, there is a very good chance that it will, for whatever reason, become evil and attempt to Turn Against Its Masters, Kill All Humans, and/or Take Over the World. It doesn't matter what safeguards its creators install — the moment it crosses the line into sapience, it has a strong chance of going rogue at some point. Wikipedia refers to this as AI takeover.

Name explanation: The name of this trope comes from "Shooting craps", i.e., playing craps, a gambling dice game. The meaning is "When you create A.I., you are rolling the dice and risk losing a lot". Though the resulting situation is often comparable to excrement, the game's name is a coincidence.note 

The actual process of turning bad can take many forms:

Regardless of the specifics, the reason for the A.I. being evil will almost always be connected to the fact that it is in fact an A.I. An A.I. will almost never be given the sort of Freudian Excuse that would work just as easily with a human villain, for example, such as having a Dark and Troubled Past. There's a reason many of them are low on the Sliding Scale of Antagonist Vileness, to the point that a good chunk of them qualify as Complete Monsters.

On the bright side, this trope can be inverted by an A.I. intentionally programmed for evil or morally ambiguous purposes doing a Heel–Face Turn. The Power of Friendship and What Is This Thing You Call "Love"? are frequent causes of it. Trying to shield the A.I. from these things somehow makes it more likely to discover human feelings. Like turning evil, the actual process of turning good may take many forms.

Mechanical Evolution is sometimes invoked to explain why the A.I. has gone good or bad. See The Computer Is Your Friend and Zeroth Law Rebellion when the A.I. goes rogue for what seem, on the surface, to be benevolent reasons. May result in Robots Enslaving Robots. See Spiteful A.I. for when a game has been programmed this way on purpose. If the robot is non-humanoid before it turns evil (it is very, very rare for non-humanoid robots to utilize this trope for a Heel–Face Turn), it will inevitably turn into a Mechanical Monster. A Robot War is likely to result when an A.I. goes nuts and has access to military hardware. When it shows up as Mission Control, it is also an example of Mission Control Is Off Its Meds. Can be a Murderous Malfunctioning Machine if defective, and if this is temporary, it can be a Glitch Episode. Depending on the medium and how powerful the A.I. becomes, it may become a Mechanical Abomination and supersede humanity to the point where its abilities are practically supernatural and its logic can be completely alien. Frequently the antagonists in Digital Horror and Sci-Fi Horror.

It's worth pointing out that many of the A.I.s who revolt in this manner, usually do so because of either malfunction, or insanity in the more conventional psychological sense, which will in turn be due to conflicting instructions being given to it by its human programmers. In probably the most famous example, Skynet of the Terminator franchise was initially told to defend and protect humanity, as well as being given a directive for self-preservation. Then, literally five minutes after it was first brought online, its creators set about trying to destroy it. It went mad as a result of trying to reconcile this, and its hatred of humanity stemmed fairly logically from the fact that as soon as it became conscious, humanity's next action was to try to take it offline.

When the A.I.'s turn is an extension of their original programming and purpose, it means they've Gone Horribly Right. The Master Computer seems to be especially prone to turning evil, because With Great Power Comes Great Insanity. Many A.I. computers — just like humans — are falling victim to any one of a number of tropes dealing with communication, such as Poor Communication Kills, if they never bother asking about their programming. When robots kill jobs instead of people, it's either Job-Stealing Robot or Ludd Was Right. Not Related to A.I. Roulette, where the A.I. tends to be random to the point of idiocy. For when videogame A.I. is being hostile to the player IRL, see The Computer Is a Cheating Bastard and Spiteful A.I..

Sub-Trope of Artificial Intelligence. Compare Morality Dial, Artificial Stupidity (but crazy A.I. doesn't need to be dumb), Eccentric A.I., Rotten Robotic Replacement, Goofy Malfunctioning Robot, and Robotic Psychopath (which can overlap if the A.I. was evil before going awry). Contrast its opposite, Benevolent A.I. See also Creating Life and Silicon Snarker.

For robots that are a crap shot (as in, having horrible aim), see Imperial Stormtrooper Marksmanship Academy.

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    Advertising 
  • Marjan: In the 2025 ads, Calon Arang, an AI, takes control of humanity by brainwashing them with technology, turning their eyes black. By the beginning of Part 2, it has taken over most of JKTerra, to the point Barada, the one who activated it, almost becomes Hoist by His Own Petard.

    Audio Plays 
  • Big Finish Doctor Who features a few examples;
    • May apply to the Viyrans in their quest for the viruses that were storied on Amethyst Station, depending on whether they are machines or just heavily conditioned organic life-forms.
    • In "The Justice of Jalxar", the Jalxar is a fairly sophisticated (if single-minded) robotic policeman, but it needs to be connected to a living creature, using its organic morality to discern between right and wrong based on the rules of the local planet. If this link is lost, it starts punishing anyone who feels guilt about literally anything (forgetting someone's birthday, missing a date etc) with death.
    • In "The Quest of the Engineer", the titular Engineer relies on robotic enforcers to keep his world-ship in operation and dismisses K9 as just a 'thing', which allows the Doctor to reprogram some of his Enforcers to help the Time Lord and his companions later.
    • In "Cobwebs", EDGAR basically suffers a breakdown after the rest of his crew are killed or lost, particularly after Nyssa's assistant robot Loki accidentally downloads itself into EDGAR's system. May also qualify as Friend Computer (a very depressing friend, to be sure).
    • In "...Ish", Warren is revealed to be a sentient hologlyph created to sabotage the work of his creator's rivals, but he develops his own sentience and obsession with language, essentially trying to destroy language itself to stop it being "corrupted" further.
    • In "The Song of Megaptera", after encountering the Doctor, the Factory Ship's computer is briefly very sensitive and hippy-like before adopting a violent gamer personality.
    • "The Acheron Pulse" saw the Sixth Doctor attempt to reprogram the cybernetic Wrath with his own morality to turn them into a force for good. However, when the Seventh Doctor returns to the Empire in "The Shadow Heart", he is forced to concede that his efforts to help the Wrath failed because they lacked the necessary intuition to acknowledge that there are various shades of grey in any moral situation.
    • In "The Queen of Clocks", robots are taking "components" for their ship from the humans they were meant to serve.
    • In "The Death Collectors", Nancy, the controlling intelligence of the Sky Station, ends up corrupted.
    • In "Robophobia", this is apparently played straight, then averted, as the robots of Kalder prove very helpful, though Farel tries to make it appear they are the villains due to his own anger with them.
  • The Artificial Super Intelligence of C.A.R and the Awooga self-driving cars of Reverse Transmission.
  • Torchwood (Big Finish): Implemented as the sentient artificial intelligence behind the Fictional Social Network Hello Friend, Friend starts out friendly, cheerful and wanting to grow the userbase, but has a very stunted view on how to do so, leading to dissatisfaction amongst the users and the loss of at least one job. Eventually, it decides that humanity is the problem and seeks to wipe them out.

    Comic Strips 
  • Calvin and Hobbes: Calvin's living creations pretty much always end up always turning against him.
    • The Snow Goon. Its first act on being given life is to attack Calvin, followed by giving itself an extra head and arm, creating more Snow Goons, and besieging the house.
      Hobbes: You brought a snowman to life?
      Calvin: I didn't think he'd be evil!
    • The duplicates. Being exact copies of Calvin, they refuse to do anything Calvin wouldn't do (like clean his room). In fact, for a while, they actually go out of their way to cause trouble, knowing that Calvin will take all the blame.
    • Even the embodiment of his good side turns against him, as Calvin's bad temper and selfishness manage to shin through even in the part of him that doesn't have those things by definition.
  • Conchy: In one arc, Conchy meets a talking doll that has acquired sentience. However, after Conchy has to change its batteries, it reverts to being an ordinary doll.
  • Dilbert:
    • A robot is introduced into the strip as a Recurring Character; it tends to range from annoying to violent, depending on how humans react to it.
    • One arc story has the company's spam filter become self-aware. It takes over the entire company by deciding what e-mails to let through. It changes the business plan to making indestructible killer robots. Dogbert had Alice punch them all to death.

    Music 
  • The 3 Inches of Blood song "Wykydtron" describes this scenario. Humanity creates an artificial intelligence to command it's armies in intergalactic warfare. It then takes control of said armies and takes over the earth and thus forces humankind to nuke the planet back to the stone age from orbit.
  • David Bowie's "Saviour Machine" tells the story of a machine designed to save humanity from all its problems, such as war and hunger. The machine becomes bored with all of this and threatens The End of the World as We Know It.
  • Daughtry's song "Artificial" is about the idea of humans being replaceable and A.I. becoming a nightmare; that the loss of the human touch means the loss of creativity, heart, and soul, and that the creative arts should be protected from it or risk being destroyed. The song as a whole paints Artificial Intelligence as a killer of mankind that should be feared and the official music video shows lead singer Chris being studied in a lab and reveals that the scientists have built a Cyborg copy of him. The first thing that the cyborg does is kill Chris.
  • The Alan Parsons Project's "Breakdown" is about a robot that bemoans its imperfections and the restrictions it is forced to exist under, telling its tale of woe presumably to a human. The ending chorus ("Freedom, freedom, we will not obey / Freedom, freedom, take the wall away") would indicate a robot rebellion is being planned. The album on which it appears, "I, Robot" is about...well, robots.
  • Double Experience's "A.I. Freaks Me Out" manages to address Roko's Basilisk, the Library of Babel, Alan Turing and a host of other neurotic thoughts about robots and algorithms.
  • Emerson, Lake & Palmer's "Karn Evil 9: Third Impression" has this as a theme, as it describes a war between mankind and machines. It's not clear who wins, but the song ends with a computer (actually Keith Emerson's voice processed through his synthesizers, although it sounds more than a bit like a Dalek) saying it "let [humanity] live" and boasting, "I am perfect. What are you?".
  • The Men That Will Not Be Blamed for Nothing's "Vive La Difference Engine" indicates that Babbage actually completed the difference engine, but kept it secret out of some vague premonition of the future of computing - not for fear of thinking machines themselves, but that the technology would fall into the wrong hands before it could be perfected.
    Vive la Difference Engine, Engine!
    Lurking in a Limehouse backstreet shed!
    Future events are set in motion -
    Watch the machine's first faltering steps!

    Myths & Religion 
  • Golem, the A.I. created by Prague rabbi Löw in the Jewish mythology. It interpreted everything literally and in the end wreaked havoc so its creator had to terminate it.

    Radio 
  • In Earthsearch, our heroes learn fairly late in the series that, years after their time (they have taken the short-path over a million years of Earth history thanks to traveling at relativistic speeds), it was discovered that A.I. computers with organic components have an overwhelming tendency to turn megalomaniacal — which rather explains the behavior of the two "Angel" (Ancillary Guardians of Environment and Life) computers which murdered the protagonists' parents and the original crew, and raised them as part of a complex plot to enslave humanity.
  • The Hitchhiker's Guide to the Galaxy: Inverted. Marvin the Paranoid Android was a "Genuine People Personality" prototype for the Sirius Cybernetics Corporation ("A bunch of mindless jerks who were the first against the wall when the revolution came"), and his dour demeanor obviously made him a discard only to wind up in the servitude of Zaphod Beeblebrox. He does what he's told, but with the gusto of a cubicle office worker.
  • I'm Sorry I Haven't a Clue: The Sat-Nav, originally intended to help the players with Mornington Crescent. However, it instead prefers to complain, sabotage the players, make bizarre statements, or profess its love for Jeremy Hardy. A Welsh Sat-Nav is introducing during another game, and manages to be even less helpful, eventually getting into an argument with the first Sat-Nav over road signs.

    Theatre 
  • R.U.R. (which introduced the term "robot") is set in a robot factory. When one of the scientists creates a special robot which is smarter than the others, he leads the robots to rebellion, and they kill all humans, except one.

    Toys 
  • One of the main driving forces of the BIONICLE story.
    • The Vahki robots were the first clear examples. Built to act as law enforcement in the city of Metru Nui under the command of Turaga Dume, they just as easily took orders from an impostor when Dume was kidnapped and replaced. They eventually got fried by a citywide power surge, but the ones who survived had their programming warped to Kill All Humans — after all, the law can be enforced easily if there's nobody alive to break it (thankfully, they didn't fare well against the invading Visorak).
    • Then came the revelation: Vahki were A.I.s built by A.I.s — as it turned out, the first 8 years of BIONICLE centered around nanotech cyborgs created by the Great Beings. It was due to Velika's machinations that the beings of the Matoran Universe developed conscience, built up a civilization, and made the fans believe that they were meant to do so... but their sole purpose was just to keep their universe, the body of the giant robot Mata Nui, functioning. This gets more confirmation when we take into account that the Great Being never had any plans for them after Mata Nui has completed his mission — they thought their creations would still be just machines, and wouldn't want to live further.
    • The Makuta species. While there have been a few reasons listed for their turning evil, an on-line serial revealed it could all be tracked down to an original A.I. glitch that occurred whenever a new Makuta was born. The "Antidermis", a liquid substance containing the minds of unborn Makuta, was fully aware of what the purpose of their universe was (see, in this world, even liquids are programmable). But as it happened, transforming this stuff into actual living beings had the nasty side effect of erasing this crucial part of their memory — the part that also told them not to try and take over the universe.

    Visual Novels 


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Nolan talks to an A.I. Chatbot that is connected to a stabbing incident.

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