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Frederick Sinclair

The door has sealed, the elevator has left. Even Vera's voice will not unlock it. Know that on the night of the Gala Event I shall raise my glass and whisper, "Fortunato"."Sinclair's Personal Accounts" entry on Sierra Madre Vault terminal

Frederick Sinclair was a pre-War businessman as well as the founder and owner of the Sierra Madre casino in 2077.

Background

Sinclair was a wealthy businessman with a boastful and egotistical disposition who suffered many crippling financial losses in the 2070s. Nonetheless, he managed to hold on to the remainder of his fortune and expand it. He then remained obsessed with security for years to come.[1] Sinclair was friends with Dean Domino, who introduced Vera Keyes to him. From that moment, he fell in love with the starlet.[2][3]

The Sierra Madre Casino was to be his ultimate gift to her, a shelter from the inevitable nuclear war with China that he predicted was to come, its vault serving as a bunker. But events did not pan out the way he had hoped. Dean Domino introduced Sinclair to Vera Keyes, with whom Domino once had a torrid affair if the tabloid press was to be believed. Sinclair was suspicious, and rightly so.

Sinclair discovered evidence of a plot by Domino and Vera that involved breaking into the casino vault and taking the treasures that lay within. Sinclair set about preparing a trap, and had the builders design the casino so that the vault, once accessed, would be impossible to escape. Vera eventually confessed her betrayal to him, overcome by guilt, and Sinclair decided enough was enough and it was the time that the casino returned to its original purpose.

Although he no longer loved her and he was left hollow by her betrayal, Sinclair could not bear to condemn her to death after hearing her confession, so he returned to the vault and removed the entry intended for her, replacing it with an apology. Subsequently, Sinclair attempted to jury rig the shelter's electronics to remove the trap by directly accessing them from the pipes, but due to a leak in the system, he succumbed to a poison cloud. All that remains is the trap itself and a message to Dean Domino that he left behind.

S1E8 - The Beginning

Sinclair is seen in a flashback attending a secret meeting representing Big MT at Vault-Tec HQ with other prominent company heads Robert House, Leon Von Felden and Julia Masters. Here he is accused by House of being able to lose money running a casino. When brainstorming ideas for Vault experiments, Sinclair suggests intentionally overcrowding a vault, so that people would have to compete to survive inside it, and pumping psychotropic drugs into the air supply.

Notes

  • Sinclair is mentioned in numerous terminals across the Big MT as most of his technology was being developed there.[4][5][6][7] In the Fallout Television Series, he appears as a representative for Big MT.
  • Sinclair was nostalgic of the Art Deco era, which factored into the design and aesthetic of the Sierra Madre.[8]

Appearances

Frederick Sinclair's remains appear in the Fallout: New Vegas add-on Dead Money. He is mentioned in Old World Blues, and appears in the Fallout Television Series episode The Beginning.

Behind the Scenes

References

  1. Dead Money loading screens: "Sinclair, the financier and architect of the Sierra Madre Casino was obsessed with security, believed due to his own financial losses."
  2. Dean Domino's Blackmail Evidence
  3. Courier: "Why did you need her?"
    Dean Domino: "Because she could get closer to Sinclair than I ever could. He built this place for her... well, after the two "chanced" to meet."
    (Dean Domino's dialogue)
  4. Y-0 Research Center Terminal Entries; Terminal; Requisition Order: Dispensers
  5. Y-0 Research Center Terminal Entries; Terminal; Dispenser Funding Update
  6. Z-38 Lightwave Dynamics Research Terminal Entries; Terminal; Requisition Order: Holograms
  7. Z-38 Lightwave Dynamics Research Terminal Entries; Terminal; Vera Keyes: Hologram Progress Report
  8. Dead Money loading screens: "Sinclair was drawn to the nostalgic Art Deco era, and it's reflected in the architecture of the casino."
  9. Chris Avellone: "It was a nod to Upton Sinclair. In essence, the Villa and Sierra Madre was supposed to be a safe village in the event of war."
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